What we make.
Podcasts
Recorded, edited and levelled so every episode sounds the same, with transcripts and chapter markers ready to publish.
Voiceover
Scripts cast, directed and recorded clean, cut to the exact length the edit needs.
Original score and sound design
Music written for your film rather than licensed to it, plus the foley and atmospheres that make a cut feel finished.
Mix and master
Someone else's recording, brought up to broadcast level and delivered to the spec the platform asks for.
How a session works.
Brief
What you're making, how long it runs, and what already exists. Studio time and finishing time are priced separately, so the estimator asks about both.
Record
In the studio or on location, with the room treated and the levels set before anyone says a word.
Edit and mix
Cuts, levels, noise and music, balanced so it holds up on a phone speaker as well as it does on headphones.
Master and deliver
Finished to the loudness spec your platform asks for, with the stems and transcripts you'll want later.
What this usually costs.
Three jobs we have priced, so you have something to measure your own against before you start.
A radio ad
$2,275
- 30 seconds, one cast voice
- Two studio hours
- Library music, one-week turnaround
A ten-part podcast
$23,240
- 400 minutes across ten episodes
- 20 studio hours with an engineer
- Transcripts, markers, branded intro
Score for a short film
$62,706
- 15 minutes, three session players
- Fully designed sound and foley
- Original music, cinema release
Each is the middle of three options and assumes a comfortable deadline. Your own answers below will move it.
Price an audio project.
Answer a few questions about what you're making and what state it's in, and you'll get an estimate that keeps studio time and finishing time separate, because they're different work.